2009第二届前提行为艺术节

策 展 人： 王  军
 学术支持： 袁霆轩
 视觉统筹： 赵乐娟
 独立电影单元：小日
 志愿者负责人：扬扬

开幕酒会： 2009年5月1日下午2点
 活动时间： 2009年5月1日-2日
 地       点： 北京草场地CCD300艺术区
 接待电话： 13810846594
 E-mail   ： okwangjun666@163.com

特邀嘉宾： 艾未未  何云昌  王庆松  俞心樵 
 艺术家：Kim（澳大利亚）Golem (德国) 高雅（北京）刮子（青海）董洁（四川）黄宽（青海）黄文亚（湖南） 贾茜兰（四川）蒋矩彪（河南）李爻（北京）李赫（北京）李大东（韩国） 老道（河南）麦子（北京）马志民（河北） 泥巴（北京）  冯丽鹏（北京） 苗世明（河北） 清水惠美（日本） 祁影（北京） 佟志勇（河北）万巧（四川） 王军（北京） 闻竹（河北） 小奶花（上海） 小日（北京） 徐典（北京） 赵小惺（北京） 赵松洁（北京）许敌（北京） 神经中枢乐队（北京）麦子与微乐队（北京）

 搜狐、北京晚报、优酷网、新浪播客、中艺榜、雅昌艺术网、Art-Ba-Ba、中国艺术社区、艺术与投资、王军艺术论坛、超级娱乐帝国、中国艺术新闻、艺类网、卓克艺术网、中国当代艺术网、天天中国艺术网、浙江艺术网、“嘿！社会”论坛、香港文汇报、艺术个案、蜂巢网、当代画廊年鉴、当代艺术2.0、、蜂巢网、当代画廊年鉴、美院全球网、东方艺术大家、今日艺术网、东方艺术财经、艺术导报、环球时报英文版、艺术国际、魔时网、艺术中国、小洲艺术网、数字中国艺术网、艺术时代、艺术眼、美术同盟、麦子当代
 第二届前提行为艺术节前言
 第一届前提行为艺术节的诞生是偶然促成的，未成形前它仅作为一个艺术事件、一个展览的索引，后经由前卫艺术家自发组织、策划，加之圆满实施了十几位艺术家的现场作品，随即受到艺术圈内的广泛讨论及关注。
 第二届前提行为艺术节作为第一届前提的延伸，历经一年的长足思考，现在正是时候起身联手共欢。我们玩儿似的生活，我们如恶徒一样创作，我们与哲人一起思考，我们如植物一般生长蔓延，盘踞大地，横越天空。这种不能言白的力量让眼前这个荒谬的世界瞬间清晰又极速破碎。
 时钟指向2009，我们看到金融风暴的影响早已蔓延席卷全球，中国经济在这场风暴中显得扑朔迷离，有人认为中国的稳定和高速发展将成为世界的救主，也有人断言中国的滞后性将让中国的经济在一段时间后将遭遇同样乃至更大程度的挫折。然而这个尚无定论的未来在中国当代艺术领域的影响却已经格外引人注目：画廊撤离，机构隐匿，艺术家们面对摆满工作室的作品不知所措。
 行为艺术自身具有不受颠覆的彻底性和自我性，如同一块坚硬的无法被商业进程腐蚀的石核，在这个物质即神话的时代清冽开放，成为庸常图式和已经沦为艺术市场生产工厂的艺术体制无法掌控的野性之刃，我们有理由笑得越发肆无忌惮。
 我们谈论诡异的生活，这就是艺术的本源；我们怀着昨日的老旧跨过新锐的火盆进入明天的黑客帝国；我们竖起高音喇叭播放International化的重低音；我们从容面对政治成为强加的妆容渗透入骨；我们打开瓶盖撕开塑封口袋摁下PLAY键；我们一个举手推开世界之窗一个投足五天揽月。我们阅读来自各行各业各色人种的行为阐释，我们转而背弃文本，我们的作品依然在现场秘然前行，依然和你一同知会上苍，它们仍旧散发着一路随行的光芒。
 这是艺术界的一场革命，是一场战争。它又看似一场游戏，用最简单、最直接，也是最唯一、最本源的、人人都可以自由支配的材料——身体，来传达艺术观念，反抗传统习俗，挑战话语权威，这个词汇不代表谁也代表不了谁，重要的是我们在表达，并且将一直延续。本次前提行为艺术节正是在这样的背景下酝酿施行。作为一个行为“节日”，它是没有地域性，不需陈旧的资历和不堪的隐情背景，不自我强调学术价值，更不牵扯任何商业目的，它是一个纯粹又真诚的，落落大方作为自己也是给世界当代艺术的礼物。
 第二届前提行为艺术节由王军策划并联合CCD300软装商务会所、第八天云南餐厅等支持单位于2009年5月1日在北京草场地CCD300艺术区举办。基于策划团队和组织者的经验和思考，在艺术家以及其他艺术同仁的关心支持下，前提行为艺术节已茁壮成长。在这个社会空前复杂的现世，这次相聚将迸发出最激情的力量，我们对周身环境全方位、多角度、多层次的界定和反馈尤为值得期待。我们满怀希望，拭目以待第二届前提行为艺术节将为当代艺术世界创造怎样一个全新而独特的舞台。
 

 
 The 2nd QIANTI Performance Art Festival
 
Organizer：WangJun
Academic Support： Yuan Tingxuan
Invited guests：Ai Weiwei  He Yunchang  Wang Qingsong  Yu Xinqiao 
Artist : Kim（Australia）  Gao Ya+Gao Na(Beijing + France)  Gua Zi(Qinghai)  Huang Kuan(Qinghai)  Huang Wenya(Hunan)   Jia Qianlan(Chongqing)  Li Yao (Beijing)  Li Yan (Beijing)  Li He (Beijing)  Lao Dao(Henan)  Mai Zi(Beijing)  Ma Zhiming(Hebei)  Ni Ba(Beijing)  Feng Lipeng(Beijing)  Miao Shiming(Hebei)   Emi Shimizu (Japan)  Qi Ying(Beijing)  Dong Zhiyong(Hebei)  Wan Qiao(Sichuan)  Wang Jun(Beijing)   Wen Zhu(Hebei)   Xiao Naihua(Shanghai)   Xiao Ri(Beijing)   Xu Dian(Beijing)   The nerve center of the band (Beijing)

Opening: At 2:00. p.m -7 p.m  May 1, 2009
Workshop: at 7:00 p.m. -9 p.m  May 1, 2009
Venue : Bei Jing Cao Chang Di CCD300 Art Area
Contact : t 13810846594
e: okwangjun666@163.com
Sponsor :  CCD300 Business Club、The Eighth day Yunnan Restaurant

Media: www.798.net.cn、www.artguide.net.cn、www.nimende.com、www.cl2000.com、www.99ys.com 、www.ionly.com.cn、www.sohu.com、Beijing Evening News、www.youku.com、v.sina.com.cn、www.arttop100.com、www.artron.net、Arts and Investment、WangJun Art Forum、www.zuolo.com、artnews、www.artsub.com、www.zhuokearts.com、www.artc.net.cn、www.365ccm.com、www.art-zj.com、hey.ionly.com.cn、Hong Kong’s Wen Wei Po、www.cpanet.cn、www.artcomb.com/、www.art2.hk
 
 

 The 2nd QianTi Performance Art Festival

The inauguration of the 1st QianTi Performance Art Festival was characterised as more of an informal art gathering or event.  However, a seemingly spontaneous peak of interest in the event lead to a swell in the number of performances, and the festival began to receive unprecedented and wide ranging attention within art circles.  The 2nd QianTi Performance Art Festival is a continuation of the inaugural event, and after a year’s discussion and planning it is now time to come together to celebrate its opening.

It’s 2009, the global economic crisis is upon us and the position of China’s surging economy is once again vague and unclear.  Owing to rapid yet stable development some believe that China may be the world’s financial saviour, while others say that China’s underdevelopment may in fact cause even more serious setbacks here than in other countries.  The effects of the economic crisis is nowhere more noticeable than in China’s contemporary art market.  Galleries, both minor and major, have shut their doors, many art organisations have left the scene and artists can do nothing with studios full of work.

The nature of performance art is that it has always existed relatively independent of commerce.  In these troubled economic times, and in this age or materialism, performance art still offers a clear, precise and refreshing artistic voice.  One which has always been virtually incorruptible by market forces.  Our lives are like a game, we toil away mischievously creating our art, our thoughts filled with philosophy, while men spread like plants across the land and the sky.  This indescribable power brings a moment of clarity to an absurd world but shatters it simultaneously.

Much art is born from the strangeness of life itself.  Being a part of a global society we too take politics and world issues into our everyday thoughts, but through reading and interpreting the actions of people from all walks of life and all cultures performance art tries to build a bridge between historical and future thought.  We are there to know the world.  We open the cap, tear off the plastic and hit the play button.  Then we open the window, and with shining eyes, we reach for the heavens with you.

For the artistic community this is a game of revolution and war.  Utilising the simplest of mediums, our own body, performance art directly challenges authority and opposes traditions.  The word “body” alone does not and cannot represent any individual, more importantly it is a vehicle for the continuation of our expression.  With this as a background the 2nd QianTi Performance Art Festival opens without limitations imposed by hidden agendas or commercial interests.  It is a pure and honest offering to the world of contemporary art.

The 2nd QianTi Performance Art Festival will be held at CCD 300 Art Zone in the CaoChangDi art region of Beijing on May 1st, 2009.  Planned by Wang Jun and sponsored by CCD 300 Commercial Group and The Eighth Day Yunnan Restaurant, this festival has steadily grown with the assistance of the planning team and organiser along with the help of art lovers and the artists themselves.  We look forward to a vibrant, multifaceted, interactive festival and we hope the 2nd QianTi Performance Art Festival brings a new and unique experience to the contemporary art stage.